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Why am I always right
This ground-breaking exhibition
a narrative of everyday (homo)sociality comes into view
This edition features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T'ai Smith that shed critical light on Albers and her career
Moki Cherry: Communicate, How? Paintings and Tapestries, 1967-1980 Plotter drawing Why am I always rightCorbett vs. Dempsey, 2021, Softcover, 120 pages, 28 23 cm Contributions by Texts by Evie Ward, John Corbett, Lisa Alvarado, Christina Forrer, Naima Karlsson Communicate, How? assembles a selection of Moki Cherrys most significant works, all of them drawn from the schoolhouse in Sweden where the family archives still reside. These include major tapestries that were used in performance and several that functioned as announcements for Organic Music
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