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Paul Gilroy: The Black Atlantic Juergen TellerVerso, 2022, Softcover, 261 pages, 23 15 cm Afrocentrism, Eurocentrism, Caribbean Studies. To the forces of cultural nationalism trapped in their respective camps, this bold book sounds like a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once; a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something
a Bilderatlas of sorts
The World Is Sad is a fragmented story of paranoid and reparative reading
Diverse contributions reveal how media and technology can simultaneously enable and constrain agency and control
Gathering together fresh perspectives from 28 leading art and museum figures—including artists
Federico Campagna
Annabel Sowemimo reinserts the stories of Black and Indigenous scientists and doctors into the historical narrative
Johnson is represented by Château Shatto in Los Angeles
referring to the cultures from which his work emerges – queer
Thomas Seibert
and existential anxiety
and performance art
Digital print on 200gsm uncoated paper
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